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Etchings and Drypoints Gallery 4 pages 1 2 3 4 5 6 7 Gallery 1 Gallery 2 Gallery 3
An etching is produced by line drawing an image on a metal plate previously coated with an acid-resistant ground, subsequently immersing the plate in a timed acid bath. The drawing is etched into the plate creating ink-holding furrows. Further methods (i.e. aquatint) create tones by forming small-pitted holes. A drypoint differs by being scratched directly into the plate with a sharp needle, yielding printed lines that can vary from delicate grays to thunderous, velvety darks depending upon technique. The ink-holding burr of metal raised during drypoint drawing lends to the rich, soft quality of a drypoint print. I have personally come to adore drypoint for its hands-on quality, its sensuous richness, and for the range of line qualities achievable by further burnishing or scraping. It provides me the sensitivity I desire to render woolly fur, feathers, or a soft edge on a portrait. Drypoint complements my overall philosophical approach of ‘less is more’ in my artwork.
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